spring

May I mindfully appreciate
the diversity
of every being I encounter,
who, like flowers,
brings beauty, variety,
and sustenance
to our world.

On the beach, at dawn;
four small stones clearly
hugging each other.
How many kinds of love
might there be in the the world,
and how many formations might they make
And who am I ever
to imagine I could know
such a marvelous business?

And suddenly, there it is, a loud whirring crashing into the silence: a field cricket singing in the fading light. We all stop to listen. From a distance, we must look like a strange bunch, leaning towards a bramble bush. For us, though, the moment is holy. A tiny, solitary creature has the power to lift our spirits.

In the desert flowers come forth,
the pastures flourish with
fruit and grain;
Creation's diversity is glorious!
May all people honor these gifts
with joyful song
while walking the path of Love.

I like to live in the sound of water, in the feel of mountain air.
A sharp reminder hits me: this world is still alive,
it stretches out there shivering toward its own
creation. And I'm part of it. Even my breathing
enters into this elaborate give-and-take,
this bowing to sun and moon. day or night.
winter, summer, storm, still—this tranquil
chaos that seems to be going somewhere.
This wilderness with a great peacefulness in it.
This motionless turmoil, this everything dance.

Ultimately, I think gardening speaks to a deep-seated desire to experience the real, the essential, the astonishingly possible. To garden is gradually to give up control, to fall literally to one's knees and come into closer and closer contact with the tremendous and often bewildering beauty of the world. Nothing, you find, is at all what you thought it was. Dirt is not dirt, but a teeming mass of microorganisms that turns death back into life.

The song of a river ordinarily means the tune that waters play on rock, root, and rapid....This song of the waters is audible to every ear, but there is other music in these hills, by no means audible to all. To hear even a few notes of it you must first live here for a long time, and you must know the speech of hills and rivers. Then on a still night, when the campfire is low and the Pleiades have climbed over the rimrocks, sit quietly and listen for a wolf to howl, and think of everything you have seen and tried to understand. Then you may hear it--a vast pulsing harmony--its score inscribed on a thousand hills, its notes the lives and deaths of plants and animals, its rhythms spanning the seconds and the centuries.

If you find yourself half naked
and barefoot in the frosty grass, hearing,
again, the earth's great, sonorous moan that says
you are the air of the now and gone, that says
all you love will turn to dust,
and will meet you there, do not
raise your fist. Do not raise
your small voice against it. And do not
take cover. Instead, curl your toes
into the grass, watch the cloud
ascending from your lips. Walk
through the garden's dormant splendor.
Say only, thank you.
Thank you.

What a wild family! Fox and giraffe and wart hog, of course. But these also: bodies like tiny strings, bodies like blades and blossoms! Cord grass, Christmas fern, soldier moss! And here comes grasshopper, all toes and knees and eyes, over the little mountains of dust.

When I see the black cricket in the woodpile, in autumn, I don't frighten her. And when I see the moss grazing upon the rock, I touch her tenderly,

sweet cousin.

Oh what a catastrophe, what a maiming of love when it was made a personal, merely personal feeling, taken away from the rising and setting of the sun, and cut off from the magic connection of the solstice and equinox. This is what is the matter with us. We are bleeding at the roots, because we are cut off from the earth and sun and stars, and love is a grinning mockery, because, poor blossom, we plucked it from its stem on the tree of Life and expected it to keep on blooming in our civilized vase on the table.