Driving home on a rainy day, Lorna was rear-ended by a truck just before the woman playing Rosina in Act I of the Barber of Seville was to sing. The impact was sudden and stunning. "But even as I entered a world of shock and pain, I found a world of bliss and order. I listened to the aria and fifteen minutes of the opera as firemen tried to free me from the wreckage of my car." Though told she had been unconscious until she was in the ambulance, she remembered listening to Rosina's voice throughout the ordeal. "My spirit stayed with my body. The music kept me alive. I was able to listen and stay conscious, alert, and at peace with the music. ... From the beginning of that aria, I knew I had to finish the opera of my life."
Children do not yet "know" enough to resist the force that governs and guides them from one goodness to the next. They haven't yet been fooled by their senses into practicing the impractical practice of trying to run their own lives and prove themselves in relation to others. So they show us what the scriptures teach -- that there is something we can trust. Our superficial perspective fools us all into seeking security by hanging on to certain interpersonal conditions and experiences in what is, after all, an exploding universe of divine self-revelation. This places us in opposition to the current of life and prevents us from increasingly seeing and expressing the unfolding good of God. Yet in the silence, we too can learn to go with and be carried along by the flow -- from one liberating revelation of the great eternal One to the next.