The first three notes -- the root, the fifth, and the minor third -- seemed entirely magical. In their simplicity he heard the implication of the whole piece itself, and from that, from his awareness of the fugue, came an awareness of all-of-music, as if all notes were contained in any single note. The perception was evanescent, but so powerful as to wipe away thoughts of himself. Music is here! Music has been here forever and always will be here! It was so much larger than life, so ineluctable strong, so potent an indicator of a kind of heaven on earth, that all else was swept before it. He saw this in a flash. In a nanosecond.
"Tending soul requires patient and sensitive listening to inner needs and wants: resting when we need to rest, rather than when convention or habit dictates; respecting our desires for solitude even though others may consider it antisocial; weeping when there are tears to weep. With each compassionate and understanding response to our needs, with each authentic expression of who we are, our capacity to recognize and respect our nature increases. And inasmuch as and only to the extent to which we can acknowledge, allow and serve our own souls, we can acknowledge, allow and serve the souls of others.
Like a musical instrument, the soul and its physical form can express the symphonies of Self -- the songs of God -- only as sensitively as its own degree of delicacy and refinement permits. For just as a Stradivarius allows levels of a Bach violin sonata to be heard which cannot be heard on a beginner's violin, so a finely wrought soul allows more of God's voice to be amplified than one unrefined by spiritual and psychological work."