The smile of the contemplative in the presence of the Beloved is merely a physical expression of the total joy one perceives as one communes with God. St. Bernard used to say, "The joy of being in love is in the very loving." In other words, joy is not to be sought for itself, but is a by-product of love, and the smile is but the physical, exterior expression of the inner joy-love.
Mozart's music belongs to all humanity, for the feelings that it expresses are not only his own. Carried to the spiritual elevation that universal symbols require, the symphony is untainted by petty individualism. The music belongs to the world of hope and serenity, not to any particular religion. His work was never a cry but rather a continual revelation. Love, light, and death are one in his music, to such a degree that a single theme sometimes contains all these. Mozart apprehends the human being, their feelings, pain, and hope, then, he leaves us alone in the light, facing the revelation of his own reason for being.