Once a visiting musician said to me in an empty auditorium, "Play, and listen to the silence between the notes. The silence between the notes is as important as the music itself." Enhanced by the emptiness, the sound of my flute soared over the space and sang back from the far wall. But the sílences where I paused to breathe were even more lovely and articulate, creating a wholeness I had not perceived before. The silence shaped itself to the voice of the flute. The loveliness of the music depended upon my saying "yes" to the silence between my notes.
The Word must be heard in the silence of the heart, the place in which it can be welcomed and given space so that it may become creative. From earliest times the advice given to those who wanted to learn the monastic way was always "to return to your own heart." This is the interior space for which there are so many different concepts: the inner cloister, the poustinia, the cave of the heart. It is simply "the place of God in us" which each of us will understand in a unique and mysterious way.