To the medieval thinker beauty was not a value independent of others, but rather the radiance of truth, the splendor of ontological perfection, and that quality of things which reflects their origin in God. Light and luminous objects, no less than musical consonance, conveyed an insight into the perfection of the cosmos, and a divination of the Creator.
How, then, was Love manifested to the world? A star shone in heaven beyond the stars, and its light was unspeakable, and its newness caused astonishment, and all the other stars, with the sun and moon, gathered in chorus round this star.