But what is the point of silence? The point was, we learned, not mere silence, not silence to preserve some sort of order, but something much greater. In silence the idea was to recollect ourselves, to place ourselves more squarely in the presence of God than we would if people were talking to us all the time. We could pray, we could meditate, we could contemplate. . . . Silence was broken, of course, by people doing things they could not control -- coughing, sneezing, short periods of recreation, the sounds of work being done . . . But all of this merely emphasized the silence rather than disturbing it. Sounds could never absorb this silence; nothing could order it around. It concentrated itself, and from it all else flowed. Silence could never be silenced.
Music is sound AND silence. It is the spaces BETWEEN the notes that create rhythm, melody, and meaning, and the greater the composer -- and the perfornance -- the better the quality of the silence. Legendary pianist Artur Schnabel said that it wasn't the notes but the silences between them he played better than other people. A few seconds more or less at crucial moments in the performance of a piece may mean the difference between a mundane and a transcendent experience.