There is a way that nature speaks, that land speaks. Most of the time we are simply not patient enough, quiet enough, to pay attention to the story.
On the brow of the hill, behind a silent chapel,
two windmills spin new soundscapes over
the land, cart-wheeling alleluias.
Cloistered granite holds an orchestration
of birds, and eerie whirr, tremulous sounds
of curlew and lapwing. The wind
through the metal gate is a speaking in tongues
with the broken feed-hoop tuning in:
other-worldly, intimately insistent.
All this music to attend to, to slip into:
an old organ droning, an uproarious lullaby.
Up over da hill, arms turn, the heart lifts.