We cannot control our life. If we are set upon doing so, we have abdicated from peace, which must balance what is desired with what is possible. As Hokusai shows so memorably, the great wave is in waiting for any boat. It is unpredictable, as uncontrollable now as it was at the dawn of time. Will the slender boats survive or will they be overwhelmed? The risk is a human constant; it has to be accepted — and laid aside. What we can do, we do. Beyond that, we endure, our endurance framed by a sense of what matters and what does not. The worst is not that we may be overwhelmed by disaster, but to fail to live by principle. Yet we are fallible, and so the real worst, the antithesis of peace, is to refuse to recognize failure and humbly begin again.
As Rembrandt's life moves toward the shadows of old age, as his success wanes, and the exterior splendor of his life diminishes, he comes more in touch with the immense beauty of the interior life. There he discovers the light that comes from an inner fire that never dies; the fire of love. His art no longer tries to "grasp, conquer, and regulate the visible," but to "transform the visible in the fire of love that comes from his own unique heart."