The cricket doesn't wonder
if there's a heaven
or, if there is, if there's room for him.
It's fall. Romance is over. Still, he sings.
If he can, he enters a house
through the tiniest crack under the door.
Then the house grows colder.
He sings slower and slower.
Then, nothing.
This must mean something, I don't know what.
But certainly it doesn't mean
he hasn't been an excellent cricket
all his life.
All through her life, nature had been for Madeleva "beauty's self and beauty's giver." Through it, the divine revealed itself in natural ephiphanies:
Can I not find you in all winds that blow,
In the wild loneliness of lark and plover,
In slender shadow trees upon the snow?
This poem suggests that her prayers had gone beyond words; apparently, only silence could express them. If simplicity, in prayer as in life, is a sign of maturing sanctity, then Madeleva's inner life would seem to have deepened through the years.