I started to compose the opening of "Fos" (light) and I had the idea of a string trio playing in the distance which would represent the soul yearning for God. The choir represented God in uncreated energies. This yearning choir is played by the string trio which is cut off by the joy/sorrow chord by the choir singing the word "Fos," light, light, light, light, light -- until it becomes an expanded light separated from all yet united to all, and moving straight into the second section, Doxa: symbolizing the glory of that Light filling everything with light.
It had never been my intention to discover something new. I wa simply forced to follow the call of a voice. Now I know; it was the voice of God I wanted to hear, the voice I divined as a child, of which I dreamt when I read in the Old Testament that it sounded not in the wind, not in the earthquake, not in the fire, but that it was a gentle whisper. The voice of God speaks but of the soul, the soul speaks but of life, and as he soul means life, God means life itself, the beginning and end of a gigantic current which flows in eternal movement, in time and space, beyond time and space, and beyond any judgment.